Scientists attempt to unravel mystery of golden ratio, which have guided Egyptians in the construction of the Pyramids and Athenians to erect their imposing architecture.
But the Fibonacci spiral is actually everywhere around!
The golden ratio, a geometric proportion that has been theorized to be the most aesthetically, pleasing to the eye and has been the root of countless mysteries over the centuries, has even found echoes in The Da Vinci Code, where Harvard symbologist Robert Langdon tried to unravel its mysteries.
University engineer has found it to be a compelling springboard to unify vision, thought and movement under a single law of nature’s design.
A scientist, Prof. Adrian Bejan, thinks the golden ratio pops up everywhere because the eyes scan an image the fastest when it is shaped as a golden-ratio rectangle.
Also known as the divine proportion, the golden ratio describes a rectangle with a length roughly one and a half times its width. Many artists and architects have fashioned their works around this proportion.
For example, the Parthenon in Athens and Leonardo da Vinci’s painting Mona Lisa are commonly cited examples of the ratio.
The natural design that connects vision and cognition is a theory that flowing systems — from airways in the lungs to the formation of river deltas — evolve in time so that they flow more and more easily.
Bejan argues that the world – whether it is a human looking at a painting or a gazelle on the open plain scanning the horizon – is basically oriented on the horizontal.
For the gazelle, danger primarily comes from the sides or from behind, not from above or below, so their scope of vision evolved to go side-to-side. As vision developed, he argues, the animals got “smarter” by seeing better and moving faster and more safely.
For Bejan, vision and cognition evolved together and are one and the same design as locomotion.